Comedic Underpinnings: Burlesque
Friday, January 27th, 2012In the 19th century the word burlesque, meaning “in an upside down style,” had a slightly different function. The term originally referred to a wide range of comic plays that had a sexual edge. In the past, the shows were meant to mock the upper class with ludicrous imitation of solemn subjects.
As the show developed, the comedic angle gravitated to a focus on women’s sexual appeal by testing the limits on appropriate attire. Today, Burlesque shows tune in to the risqu factor and some believe performances are more of a serious striptease than a humorous performance. To some extent this is true, but there are shows that attempt to retain the classic intent of the burlesque show.
Original burlesque shows contain three parts. Exaggerated comedians, drawing on crude humour, performed the first act. The second act was the olio-which is a compilation of varied acts-which included vocal and instrumental musicians, gymnasts, and magical acts. The third performance involved the relevant politics and news features of the time and grotesquely imitated it. The finale usually involved the luring burlesque dancers-the act we most recognize today.
It’s a fun and saucy event to attend. Many may argue that the satire and mockery, that once served as the basis of burlesque, is lost and the women’s sexual displays take the forefront. It’s a call of seduction, and eroticism takes the front stage. A little more is exposed, as of late, which is a common theme throughout most of the entertainment and media business.
But, more venues in London are attempting to grab that initial model of burlesque and take it back to its true beginning, instead of falling into the mould of pure sexual desire. There are shows that try to grasp the satire and highlight it as a prominent feature, thus being at par with the alluring dancers. If you do happen to find a more customary performance in certain party venues, you will not be disappointed.
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